Creating the cover of "As Winter Came and Went"

I had begun to think about the cover of As Winter Came and Went even before deciding to self-publish. Which author hasn’t? Daydreamed about a wonderful cover, about the way the book would look in a shop and so on. And I had even wondered, what would I put on the cover if I was able to do it myself? But at this point, I hadn’t even realised it would one day come to that: me creating the cover for my novel. 

What cover did I have in mind then? Actually, there were many covers. One was lush, colourful, rather abstract with floral motifs (think William Morris – and yes, I am aware it’s not the right time period for my story, but everything’s possible in daydreams, right?) and lots of gold-leaf. And (of course) the book would have been a hardback and that design would have featured on the dust-jacket. Another would have featured a horserace (think Stubbs – yes, yes, still not the right time period). Another, quite an elaborate design with a mixture of sketches and floral motifs (why floral motifs? Because they look pretty and quite timeless, that’s why). So, my imagination knew no limits and I dreamt on.

It was another matter when I was confronted by reality: I had decided to self-publish and I had no money to spend on a professional cover design, so I would have to make it myself. 

I downloaded Gimp, a free photo-editing software, because a writing magazine I was reading recommended it and, hey, it’s free! And I opened it. And I had no clue how to use it. And I google “how to make a bookcover with Gimp” and found several helpful videos on YouTube and useful articles on a number of blogs. And I started making “pretend” covers. I never actually thought, here I am, making the cover that’ll have to sell my book. I thought, here I am, learning to use that software and pretending I’m making a bookcover. 

I don’t really know why I was thinking that, but I’m glad I did: it made the whole process quite fun and stress-free. Except that the covers I came up with were very bad: basically, photos, with writing on it. You see, I may be a daydreamer, but I’m not naïve. I knew I had to forget the covers I dreamed about: I did not (and still do not) have enough skill to create them. And I did not even try. And I also thought that many novels, especially literary ones, have very simple covers. And that some novels have photos (landscapes, seascapes, slightly misty as to have an abstract look) on their covers. I’m an amateur photographer. I’ve got lots of photos. So it seemed like an easy solution to have a simple cover, that would not scream at the reader: “handmade by an indie-author who doesn’t know how to use Gimp properly.”

Except those covers (yes, there were more than one), seemed to say instead: “handmade by an indie-author who doesn’t know how to use Gimp properly so put a random photo of a seascape and wrote the title in a fancy font.” I was not satisfied. Those covers were not attractive. And yes, they were random: they could have been put in front of any book. They were not original. They told nothing about the content of the book.

So I thought I had to find another solution. And I thought, maybe I could take several pictures and make a montage, as to combine different elements that would give a clue as to the contents of the novel. As if I had the skills to do such a thing! Anyway, I started looking online for pictures of horse-racing painting dating from 1820 that would be copyright-free and available for commercial use (on a side-note, if you’re making your cover yourself, and not using your own photos, please be very careful about copyrights and check the rules in your country and in the countries where you want to sell your book!). Because, I did have this idea at the back of my mind that I wanted to include something about horseracing. Because it is quite a central element to the plot of As Winter Came and Went, and because I think that horse-paintings of the 18th and early 19th century are very quaint.

And I found a painting from 1828 by Horace Vernet, “A saddled racehorse tied to a fence” which you can see it here:

https://commons.wikimedia.org/wiki/File:Horace_Vernet_-_A_Saddled_Race_Horse_Tied_to_a_Fence_-_WGA24752.jpg And I thought, great, it’s approximately the right time period, that horse looks nice, there are no people around it. But I began to wonder, how am I going to include it in the cover? As I’ve said before, I do not have the skills to do so. Let’s be honest, I cannot create a nice cover design on a computer.

But there’s one thing I can do better: paint. And I had an illumination. I thought, I know, I’m going to recreate a painting featuring a racehorse. And I wondered why I had not had this idea before. For not only would it allow me to have an original cover, but it would be linked to the novel for two reasons. The first, obvious one, would be the racehorse. The second, not so obvious one is that: one, very important character (no, you do not “know” her yet, for I have not posted any extracts concerning her) is an aspiring painter. And she paints horses. And she paints Summerhaye, the horse featuring on the cover (yes, that’s the talking horse in last week’s extract). So the painting on the cover could be a representation of one of the fictional paintings in the book.

I loved that idea. And I started to paint. The format of the actual painting is A3, taken vertically. I was inspired by the posture and attitude of Horace Vernet’s horse, but I changed the colour from chestnut to black with white legs and a white blaze, to fit the description of Summer. I replaced the buildings by a misty sort of landscape and cloudy sky. And, another change, I did not make my horse have a docked tail (a tail where the last vertebras have been cut), because, though it would have been representative of the time, I think it’s barbarous and I assumed that the first of Summerhaye’s many owners would not have done it (for cultural reasons, but I will say no more), and that later on, the horse would have become too difficult to let someone touch, let alone cut his tail, without trying to retaliate.   

Anyway, I completed the painting, digitalised it by taking and editing a high resolution photo of it, and then used it to create the cover. Not without some difficulty: I had to put it in the right format, crop it to the right size, find an appropriate font. But the most difficult was finding the right colour for the title. How I struggled! It was either too green, too blue, too light, too dark… But in the end I made my choice. And now that I’ve revealed it, well, I’m not going to be able to change it anymore (at least, that’s what I tell myself)!